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Oct. 20, 2025, 5:20 AM EDT / Updated Oct. 20, 2025, 5:58 AM EDTBy Chantal Da SilvaPresident Donald Trump insisted that the ceasefire in Gaza was still in place after Israel launched strikes in the enclave and traded accusations with Hamas that each side had violated the fragile truce he helped broker.”We wanna make sure that it’s going to be very peaceful with Hamas,” Trump told reporters onboard Air Force One late Sunday after Israel carried out a wave of strikes in response to what it said were a series of Hamas attacks on Israeli forces in the southern Gaza city of Rafah.The Israel Defense Forces confirmed Sunday that it had begun “renewed enforcement of the ceasefire” after the first major test of the deal.Trump said Washington believed that Hamas leadership may not have been involved in the alleged violation of the truce after Israel accused the militant group of killing two soldiers beyond the “yellow line,” referring to the boundary within Gaza that Israeli troops have withdrawn to under the first phase of the truce. Asked whether the Israeli strikes that followed the incident were justified, Trump said, “I’d have to get back to you on that,” adding that the matter was “under review.” He said the situation was “going to be handled toughly, but properly.”As fears grew in the region that the 10-day-old ceasefire agreement could collapse, Trump’s special envoy, Steve Witkoff, and Jared Kushner, the president’s son-in-law, headed to Israel. Smoke billows following an Israeli strike that targeted a building in the Bureij camp for Palestinian refugees in the central Gaza Strip on Sunday.Eyad Baba / AFP via Getty ImagesHamas’ failure to return all of the bodies of deceased hostages held in Gaza had already put a strain on talks to advance to a second stage of the deal.The difficulty of locating remains of deceased hostages amid the rubble of Gaza had been raised by both Hamas and the International Committee of the Red Cross, which has helped facilitate the release of hostages held in Gaza in exchange for Palestinian prisoners and detainees held by Israel.Israeli barriers to more aid entering Gaza, another key tenet of the agreement, have also been a point of contention. An Israeli security official said Monday that aid would enter the famine-stricken territory through the Kerem Shalom Crossing, while the Rafah crossing remained closed.But after days of mounting tensions, Sunday’s strikes posed a sudden and significant threat to the deal.The Israeli military said it launched its strikes in southern Gaza after accusing Hamas of carrying out a “blatant violation” of the truce, with attacks on its forces in the Rafah area.Israeli Prime Minister Benjamin Netanyahu’s office said he had directed officials to take “strong action” against “terrorist targets in the Gaza Strip,” while Defense Minister Israel Katz said Hamas would “learn the hard way today that the IDF is determined to protect its soldiers and prevent any harm to them.”A spokesperson for the Palestinian health ministry in Gaza told NBC News on Sunday that at least 23 people had been killed in Israeli attacks that day.Hamas denied any involvement in the incident in Rafah and emphasized its commitment to the truce, while a senior official accused Israel of working to “fabricate flimsy pretexts” for its own assault. In a statement, Hamas’ government media office accused Israel of committing “80 violations” of the ceasefire since it began, which it said had killed dozens of people and wounded hundreds in just over a week since the truce began.

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President Donald Trump insisted that the ceasefire in Gaza was still in place after Israel launched strikes in the enclave and traded accusations with Hamas that each side had violated the fragile truce he helped broker.”We wanna make sure that it’s going to be very peaceful with Hamas,” Trump told reporters onboard Air Force One late Sunday after Israel carried out a wave of strikes in response to what it said were a series of Hamas attacks on Israeli forces in the southern Gaza city of Rafah



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Oct. 20, 2025, 5:27 AM EDTBy Rohan NadkarniEntering Sunday, NFL teams had won 1,602 consecutive games when they were leading by 18 points in the final six minutes of a game.On Sunday, that streak was broken.The New York Giants had a historic collapse against the Denver Broncos, losing 33-32 in what was the wildest game of the NFL season so far.With rookie quarterback Jaxson Dart under center, the Giants appeared to be turning their season around, taking a 19-0 lead into the fourth quarter against the Broncos and their stingy defense. New York was stuck on 19 because of a missed extra point and a failed 2-point conversion, both of were factors in the roller-coaster final frame. The Broncos’ comeback began early in the fourth, when a tipped pass in the end zone fell into the hands of Troy Franklin for a touchdown. Denver completed a 2-point conversion to cut the lead to 19-8. Not to be outdone, the Giants followed up with a tip-drill touchdown of their own, as Theo Johnson caught a deflected pass on third-and-17 and ran with it for a 41-yard score on the ensuing possession.Johnson’s score spiked New York’s win probability. On the Broncos’ next drive, they faced third-and-12 from their own 47 with 7 minutes and 12 seconds to go. At that moment, the Giants’ win probability was 99.8%, according to ESPN. But a 9-yard pass and a defensive pass interference penalty on the next two plays gave Denver new life. Quarterback Bo Nix would lead the team down the field for another score, running for a touchdown with 5 minutes and 13 seconds to go. Denver converted another 2-pointer to make the score 26-16.On the Giants’ next drive, Dart made a backbreaking mistake.On third-and-5, he was picked off by Justin Strnad, who ran the ball back 21 yards to set up Denver’s offense inside the red zone.Four plays later, Nix threw another touchdown pass to cut the lead to 26-23.New York couldn’t answer the score, punting after only three plays and taking only a minute and 9 seconds off the clock in the process.Six plays. Sixty-eight yards and 51 seconds later, the Broncos had their first lead of the game. Nix completed a 31-yard pass on third-and-11 to keep the scoring drive alive, then ran for a touchdown three plays later to put Denver ahead.But the drama was far from finished.With 1 minute and 8 seconds to go, the Giants were staring down a fourth-and-19 from their own 26-yard line and the game on the line. Dart scrambled and found Wan’Dale Robinson for first down, with a roughing-the-passer penalty giving New York another 15 yards.After a pass interference penalty moved the Giants all the way to the 1-yard line, Dart called his own number for a score. Crucially, however, New York kicker Jude McAtamney missed his second extra point of the game, which meant the Giants led by only 2, 32-30, with 37 seconds to go. Still, with no timeouts left, the Broncos faced an uphill climb to get in position for another score.But their next drive started fortuitously, when Nix seemingly overthrew a receiver only for the ball to fall into the hands of an awaiting Marvin Mims for a 29-yard gain. As Denver lined up to spike the ball after the completion, a New York defender couldn’t get onside in time, giving the Broncos 5 more yards.After the penalty, Nix found Courtland Sutton for 22 yards, putting Denver firmly in field-goal range. The Broncos spiked the ball with 3 seconds left, bringing on Will Lutz for a 39-yard kick.The field goal easily sailed through the uprights, and Denver’s shocking comeback was complete.The Broncos’ 33 points in the fourth quarter were the most in NFL history by a team that had been shut out during the first three quarters, per ESPN. Denver went from having a 0.2% chance of winning to improving to 5-2, remaining in first place in the AFC West.The Giants, meanwhile, were robbed of winning two straight games for the first time this season. And instead of being 3-4 and potentially in the playoff hunt, New York exited Sunday tied for the second fewest wins in the NFC. Rohan NadkarniRohan Nadkarni is a sports reporter for NBC News. 
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Oct. 20, 2025, 5:13 AM EDTBy Saba HamedyIranian director Jafar Panahi puts a lot on the line for his work.Authorities could again arrest him for speaking out against the country’s hard-line regime. They could send him back to the notoriously cruel Evin Prison in Tehran, which houses many of Iran’s political dissidents. He could again be placed on house arrest and barred from making films.But Panahi, now 65, has largely ignored these attempts at silencing him over the years, instead focusing on doing what he loves most: making films about his homeland.When he was imprisoned and charged with “propagandizing against the government,” he went on a hunger strike until authorities released him on bail. His filmmaking ban — which was supposed to last for 20 years — ended up serving as creative inspiration, fueling critically acclaimed films such as “This Is Not a Film” and “Taxi.”With his latest movie, “It Was Just an Accident,” which was released in limited North American theaters over the weekend, Panahi once again defied the government’s attempts to censor his art, though it has meant putting himself at risk.“You have to find a way around the system,” Panahi said in a recent interview conducted in Farsi at a hotel in Santa Monica, California, and translated into English by NBC News. Panahi, known for the signature sunglasses that he sports at every event, was sitting in the lobby next to his translator after enjoying a smoke break outside.The filmmaker has had a busy few months traveling the world to promote his film, a buzzy Oscar contender that was picked up for distribution in North America by Neon. He has also faced several hurdles coming from Iran — including missing a New York Film Festival screening after his visa process was delayed, reportedly because of the U.S. government shutdown.While on the press tour, he has continued to champion his message of the importance of freedom of expression.Jafar Panahi at the Cannes Film Festival on May 24.Rocco Spaziani / Mondadori Portfolio via Getty Images“It Was Just an Accident,” a revenge drama that is sprinkled with comedic moments, follows a group of Iranians who capture a man whom they suspect was their interrogator while they were in prison. They quarrel about the man they have put in the back of their van and whether he is in fact the guard, noting both have an artificial leg that makes a squeaking noise when walking. The group also grapples with the morality behind taking vengeance, and whether that makes them just as bad as those who oppressed them.Panahi reflected on how his own time in prison shaped “It Was Just an Accident,” which was the first film he directed after spending seven months in Evin from 2022 to 2023.“When you are imprisoned, it does not matter which group, which category and which party you are. We are all living with each other. And then when you go out, you can’t separate from it. These all remain in your mind,” he said. “This experience stays in your brain, and after you leave … you feel like you have to do something to express this.”The filmmaker has previously spoken about his time at the prison, recalling how he was placed in solitary confinement and blindfolded during his hourslong interrogations. He drew from his own experiences, as well as from fellow political prisoners he met there, in writing the film, making it one of his most personal endeavors to date.But authorities in Iran oversee the media, so filmmakers must get their scripts approved to get film permits. While Panahi is no longer banned from filmmaking, he chose to shoot in secret, filming in Iran over the course of several weeks without official permission from the government because of the film’s sensitive subject matter.The crew shot scenes in a remote desert location, in a van and in the streets of Tehran. Expecting trouble from authorities, the crew also took precautionary steps while moving around the city. Panahi told Vulture that in the summer of 2024, the crew was stopped by police during filming. They were asked to turn everything over but they handed over an empty memory card from a camera, rather than the actual footage of the film.They then waited a few weeks to resume the project and ended up editing part of the movie in France for safety reasons after the cast and crew had a run-in with authorities.“If you want to make a movie in Iran, you have to accept that is not possible through a regular path, you have to find an alternative path, and you either have to find it yourself or use other people’s experience in doing so,” Panahi said.Despite his years of political dissent and the personal price he has paid, Panahi is humble. He explained that it’s the people of Iran who deserve praise for continuing to stand up to the government in the aftermath of the death of 22-year-old Mahsa Amini in police custody, which triggered huge, monthslong public protests that were labeled the Women, Life, Freedom movement.“They are more brave than I am,” he said, noting that he’s someone who is “well known” and because of that has “some protections in place.” The activists “are not known to anyone,” he said. They took to the streets, were jailed and released, and still continue to protest in their own ways.For example, there are women in Iran who now refuse to wear the mandatory hijab, instead walking around with their hair flowing freely. It’s a subtle act of defiance that Panahi captured in his film, which shows its two female stars without headscarves in public in several scenes.It was important to Panahi to depict a “truthful picture of Iran,” he said. “We’ve reached a point in history where everything is measured by whether it happened before or after the Women, Life, Freedom movement. If it’s before, and you were showing in your film that there was a woman without the headscarf covering, it would not be believable.”Those who admire Panahi say his art serves as its own powerful form of activism, as he balances politics with a personal touch that helps breathe levity into heavier topics.At the 2025 Cannes Film Festival, Panahi won the prestigious Palme d’Or after the film received a nearly eight-minute standing ovation.The win marked the second time an Iranian filmmaker took home the award (Abbas Kiarostami was the first, winning in 1997 for “Taste of Cherry”). Panahi has now received the top prize at all three major European film festivals, including Berlin’s Golden Bear for “Taxi” in 2015 and the Golden Lion at Venice for “The Circle” in 2000.Oscar-winning actor Juliette Binoche, who served as the 2025 Cannes jury president, said that “It Was Just an Accident” “springs from a feeling of resistance, survival, which is absolutely necessary today.”“It’s very human and political at the same time, because he comes from a complicated country,” she said at the event, according to Deadline. “When we watched the film, it stood out.”At the New York Film Festival earlier this month, Oscar-winning director Martin Scorsese also praised Panahi and called on more streaming services to champion Iranian cinema.As the film continues to rack up positive reviews and vies for Oscar nods, Panahi plans to continue to promote it at events.Other Iranian filmmakers, including Panahi’s friend and fellow director Mohammad Rasoulof, have fled Iran to avoid facing fierce punishment.But when asked whether he fears the Iranian government lashing out at him again, Panahi appeared undeterred.“What are they going to do that they haven’t done already?” he said.Saba HamedySaba Hamedy is the trends and culture editor for NBC News.
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Savewith a NBCUniversal ProfileCreate your free profile or log in to save this articleNov. 19, 2025, 1:47 PM ESTBy Sahil KapurWASHINGTON — With a near-unanimous vote in Congress to pass his bill requiring the release of Jeffrey Epstein files, Rep. Ro Khanna, D-Calif., can claim a victory that no other Democratic presidential prospect has achieved: cracking the MAGA coalition.Early polls suggest he’d be a heavy underdog if he runs. But the California Democrat has been traveling to swing states and early contests to test the water for a possible White House bid.Khanna, 49, teamed up with Rep. Thomas Massie, R-Ky., to introduce the Epstein Files Transparency Act in July. The bill requires the Justice Department to release its records related to Epstein, the late financier and convicted sex offender who had connections to a number of powerful figures, within 30 days.Khanna and Massie attracted Republican co-sponsors and just enough signatures to end-run House GOP leaders and force a vote, with MAGA luminaries such as Republican Reps. Marjorie Taylor Greene of Georgia, Nancy Mace of South Carolina and Lauren Boebert of Colorado supporting the measure.It was a rare bipartisan feat, made more difficult by President Donald Trump, who pushed for months to dissuade Republicans from joining the effort. But in the final days, Trump bowed to what increasingly appeared to be an inevitability, flipping his stance and backing it. Party leaders followed him. Every Republican except one joined unanimous Democrats on Tuesday to vote for the measure on the House floor, sending it to the Senate, which passed it unanimously.In an interview in the speaker’s lobby moments before the House vote on his bill, Khanna told NBC News his project contains the building blocks of a national vision.“Whatever role I have, I hope it’s a role in shaping the national future of the Democratic Party and the country,” he said. “We need to build an enduring coalition around a vision of new economic patriotism that can unite the left and right. And the elements of that are to rail against an elite governing class that has created a system that’s not working for ordinary Americans. And then to offer a concrete vision of how we’re going to prioritize the economic independence and success of those forgotten Americans, as opposed to just this billionaire elite class.”He melded the new effort into his larger left-right message, attacking “the Epstein class that has accumulated power and doesn’t play by the rules and has impunity at the expense of ordinary Americans.”Khanna’s approach is unique among Democrats. He doesn’t quite have the fiery rhetoric of other rumored White House hopefuls such as California Gov. Gavin Newsom and Illinois Gov. JB Pritzker, and he doesn’t have the iconic progressive image of New York’s Rep. Alexandria Ocasio-Cortez. Simply put, his willingness to partner with MAGA figures who are detested by liberals may not be a selling point for an angry and fired-up Democratic base.“That’s a criticism I sometimes get,” Khanna quipped.Still, the California Democrat shows his sharp elbows against Republicans at times, most notably positioning himself as a foil to Vice President JD Vance, who’s seen as a potential Republican front-runner in 2028. He’ll often go after him on social media. During a speech in April at Yale Law School, where both Vance and Khanna received their degrees, Khanna drew a comparison between the vice president and Soviet dictator Joseph Stalin. Vance’s office did not return a request for comment.Rep. Ro Khanna says Epstein is a winning issue for Democrats: ‘This is about trust in government’01:23Khanna lacks the national name recognition of other Democrats, including Pete Buttigieg, a former presidential candidate and transportation secretary in the Biden administration, who has also been viewed as a potential 2028 candidate.Not since the 1800s has a House member ascended straight to the presidency; and as an Indian American, Khanna would be looking to make history in more ways than one.But what he has built is a level of trust among Republicans who wouldn’t work with other Democrats. He said he’s done that by “being civil to colleagues” — including some hard-right Republicans — and building trust and partnerships with them, giving them credit, taking his message to “Republican-leaning podcasts” and “treating MAGA voters with respect.”“I have not gotten into Twitter wars with Marjorie Taylor Greene or Lauren Boebert. I have a real friendship with Thomas Massie,” he said. “They trusted me enough not to make it about Donald Trump — from day one, any press conference we did, anything we did, we talked about it being about the survivors, not political.”Khanna said his insistence on seeing the humanity in those GOP lawmakers, who are top Democratic foes, was key to success.“It was the whole thing,” he added. “If I had engaged in those kind of meme wars and others, there’s no way Massie would have worked with me.”The White House downplayed the Khanna-Massie effort, despite the president fighting it for months, saying Trump had already been “calling for transparency,” on the Epstein files “and is now delivering on it with thousands of pages of documents as part of the ongoing Oversight investigation.”Khanna has a different vision of bipartisanship than other Democrats, including former Presidents Joe Biden and Barack Obama, who sought to find the most moderate Republicans and work with them on noncontroversial goals. By contrast, Khanna tends to look for GOP lawmakers to partner with on populist issues that both the left and the right can sell as a rebuke of an entrenched establishment.He has teamed up with Rep. Don Bacon, R-Neb., to repeal Trump’s tariffs on coffee, and with Reps. Brian Fitzpatrick, R-Pa., and Jodey Arrington, R-Texas, to propose congressional term limits. He worked with Republicans to advocate for reining in the government’s warrantless surveillance powers under FISA Section 702 and to prevent U.S. military intervention in Yemen.Massie said Khanna’s approach was instrumental in the success of their Epstein measure. He said he saw an opening when Khanna offered an Epstein amendment in the Rules Committee, and “got every Democrat and one Republican to vote for it.”“Ro gave me the idea, whether he meant to or not,” Massie said. “He’s able to put aside the partisan bomb throwing in order to work across the aisle, and he’s really good on TV.”“He was an important element of this,” the Kentucky Republican said. “And it was his idea, really, to organize the survivor press conference. So I don’t know if it would have succeeded with any other Democrat on the other side of the aisle.”Others have nothing to say about Khanna, including Rep. Keith Self, R-Texas, who replied, “No comment,” when asked about his role in the Epstein bill.On the House floor before the vote, Khanna thanked his Republican partners on the bill. “The Epstein class is going to go,” he said. “And the reason they’re gonna go is the progressive left and the MAGA right and everyone in between is finally waking up against this rotten system.”In the NBC News interview, Khanna repeatedly invoked President Franklin Delano Roosevelt as a guidepost for his populist views and desire to take on wealthy interests, while conceding that his progressive ideals won’t fully upend the MAGA coalition. But he believes he has a better theory of how to engage those voters than some recent — unnamed — Democratic presidential prospects.“Do I think somehow we’re going to win all of Trump’s voters? No. I’m not naive,” he said. “But I think that that has a better shot of winning than we’re just going to do Infrastructure 2.0.”Sahil KapurSahil Kapur is a senior national political reporter for NBC News.
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Oct. 6, 2025, 1:11 PM EDTBy Rebecca CohenThe life of a showgirl is, and always will be, for Taylor Swift. Days after her latest album release, Swift addressed what she called an “offensive” fan rumor that implied she would be done recording and releasing new music after her impending nuptials to Kansas City Chiefs tight end Travis Kelce. The pair’s August engagement announcement followed closely behind Swift’s reveal on Kelce’s “New Heights” podcast that her twelfth studio album, “The Life of a Showgirl,” would be released on Oct. 3. As part of the album’s promotion, Swift spoke with BBC Radio 2 host Scott Mills in an interview that aired on Monday, during which Mills asked her about the rumors. “Taylor, don’t tell me this is your last album,” Mills asked.The “Opalite” singer immediately looked confused, shaking her head. He clarified that he has seen fans discussing the possibility of the end of Swift’s music career, citing her upcoming marriage and a future that could include her having children. “That’s a shockingly offensive thing to say,” Swift responded. “That’s not why people get married, so that they can quit their job.” Mills clarified that he thinks “the fans were just panicking,” implying that the rumors actually came from a good place, and that her beloved Swifties were just fearful this would be the end of the music they know and love. “They love to panic sometimes,” Swift admitted. But slowing down after marriage is not in Swift’s cards, namely because she said her fiancé supports her in her career.”I love the person that I am with because he loves what I do and he loves how much I am fulfilled by making art and making music,” Swift said of Kelce. She added that one of the “coolest” things about him is that he, too, is “so passionate about what he does that me being passionate about what I do — it connects us.” “There’s no point in time where he’s going to be like, ‘I’m really upset that you’re still making music. The music thing that I signed up for, that I knew you love, I thought you were gonna stop doing that,'” Swift continued.She said that it’s the “most fun thing in the world” that she and Kelce can support each other in each of their larger-than-life careers, and noted the differences and similarities of what they do. “We both, as a living, as a job, as a passion, perform for three-and-a-half hours in NFL stadiums … to entertain people,” Swift said. “When I’m in those stadiums, it’s a dressing room. But when he’s in those exact same stadiums, it’s a locker room. For him, it’s practice. For me, it’s rehearsal. For him, it’s a game. For me, it’s a show,” Swift said. Even though they “call them different things,” both stars are surrounded by teams, making their careers “a very similar thing,” Swift said. She added that they’re both competitive “in fun ways, not in ways that eat away at us, but just like, we just love it.” Swift will continue her media tour for “Showgirl,” which has already broken records, on Monday night with an appearance on “The Tonight Show Starring Jimmy Fallon.” Later this week, she will also join “Late Night with Seth Meyers.” Fans have speculated she’ll keep the NBC appearances alive with a surprise spot on “Saturday Night Live” when Sabrina Carpenter — who is featured on the album’s title track and is a good friend of Swift’s — performs double duty on Oct. 18. Rebecca CohenRebecca Cohen is a breaking news reporter for NBC News Digital.
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